Visualizzazione post con etichetta L BENGALESE. Mostra tutti i post
Visualizzazione post con etichetta L BENGALESE. Mostra tutti i post

23 gennaio 2024

Autori vari: Ecoceanica

Vi segnalo l'antologia di genere fantascientifico Ecoceanica. Futuri dal Sud globale, pubblicata da Future Fiction, in distribuzione nelle librerie italiane a partire da fine mese. Il volume propone tre racconti indiani, un racconto (in versi?) bengalese e uno srilankese. Di seguito i titoli:
- La nuova frontiera (The New Frontier) di Kaiser Haq (Bangladesh)
- Mare Tranquillitatis di Soham Guha (India)
- Città erose (Half-Eaten Cities) di Vajra Chandrasekera (Sri Lanka)
- I Had a Dream di Priya Sarukkai Chabria (India)
- Il nome del mondo è Oceano (The Word for World is Ocean) di Vandana Singh (India).

3 settembre 2015

Churni Ganguly: Nirbashito not only about Taslima Nasreen

Nirbashito è l'acclamato film scritto, diretto e interpretato dall'attrice Churni Ganguly (moglie del regista Kaushik Ganguly) al suo debutto dietro la macchina da presa. Nirbashito si ispira liberamente alla vicenda personale della scrittrice bengalese Taslima Nasreen che vive in esilio dal 1994. Non è chiaro se la pellicola sia già stata distribuita nelle sale indiane (almeno nel Bengala occidentale) oppure no, ma quest'anno si è comunque aggiudicata il National Award per il miglior film in lingua bengali. Trailer
Vi segnalo l'intervista concessa dalla regista a Anindita Acharya, pubblicata il 14 agosto 2015 da Hindustan Times. Nirbashito not only about Taslima Nasreen: Churni Ganguly:

'Nirbashito, which is about freedom of expression, was adjudged the best feature film in Bengali at the National Awards on March 24. The same day, the Supreme Court also struck down Section 66A of IT Act (which allowed arrest for offensive content on the internet).
Yes, it was a special day and I will never forget the date. After it was confirmed that Nirbashito has been conferred the National Award, I immediately called up Taslima. (...) She told me that the Supreme Court has scrapped 66A of IT Act. Freedom of expression won that day.

The film bears a strong resemblance to the life of Bangladeshi author Taslima Nasreen. Yet, you haven't named the protagonist in the film.
This is not a biopic on Taslima Nasreen. I have already mentioned that earlier. Since it's not a biopic, I haven't given the protagonist a name. A lot of fiction has been weaved into the story. The film talks about the power of woman. Her struggles start the very day she is born. If a woman has an opinion, she will be ostracised, which is also a kind of exile. A country comprises men and women. If we take away the freedom of expression from a woman, it's also a kind of exile... it's the death of democracy. If I can't express my opinion freely, I gradually cease to form opinions. Even in today's society, women hesitate to form a free opinion. So, the film speaks for those women who have gone ahead and expressed their opinion. It speaks of gender equality and patriarchy. Many women who can't protest have found a voice in Taslima. So, the film is dedicated to every woman.


Why did you choose the subject for your debut film?
The banishment of Taslima inspired me. She leads a claustrophobic life yet never stops voicing her opinion. Kaushik (Ganguly) had earlier thought of making a film on the subject. We have been toying with the idea for a long time. Somehow it didn't happen. I told him that I want to work on the idea. The concept of the film might make people think but there's nothing controversial in the film.

Everything about exiled author, Taslima Nasreen, is controversial.
All I can say is that has a human story. It speaks of motherly love that the author has for her pet cat. I have given an insight into the exiled author's life through her poetry. Whenever we speak of Taslima, we tend to bring in controversial elements into it. But at the end of the day she is a human being and I have tried to explore those facets of her personality. The controversial elements of her life have garnered a lot of attention, so I didn't feel the need to explore them again. There are scenes where we present Taslima's opinion too. It's a balanced film. One must know what goes against her and also what she stands for. However, I don't endorse banishment. I believe you can have an opinion not similar to her opinion, but there are other ways to answer that. There's a dialogue in the film which says burning vehicles on the road is not a way to protest. There's another dialogue which says invariably that sword wins. But I believe the pen should win. There can be debates, write ups but not banishment.


Banishment reminds us of author Salman Rushdie and artiste Maqbool Fida Husain.
One has the freedom of expression and at times, it might hurt another person. But he or she shouldn't be ostracised. It's not possible to pacify everyone. Banishment is not the way. There has to a softer way to deal with it. When you ban a film, the curiosity to watch the film increases manifold. So, whenever the film is available on the internet, everyone jumps in to watch it. My film is a tribute to Maqbool Fida Husain. Salman Rushdie also gets mentioned in a pivotal scene.

What was Taslima Nasreen's reaction after watching the film?
It was an emotional moment for her. She didn't react to the fact that we haven't used her name because she knew the film has a lot of fiction. We have taken cinematic licence to make the film.

What made you cast yourself in the lead role?
Initially, I didn't want to cast myself in my debut film. I wanted to take somebody who bears resemblance to Taslima. During the narration, a few of my friends from the film fraternity told me that I am apt to play the character. Since I was also the director, I had to write a lot of directorial inputs in the script so that my team had no difficulty in understanding my suggestions while shooting the film.

The concept of the film belongs to Kaushik Ganguly. How did he help you while making the film?
After I narrated the first draft of the film, he was so pleased that he wanted to make a film on it. But I refused to part with it (smiles). When we went into pre-production, he was busy with Apur Panchali. Both of us shared the same directorial team and it was chaos. He went away with the directorial team to shoot for Khaad. I was really upset at one point. But later, he was proud of the fact that I had managed everything on my own'.

11 giugno 2012

Irrfan Khan in un film di Marco Amenta?

Irrfan Khan interpreterà un film tratto dal saggio Il banchiere dei poveri di Muhammad Yunus, premio Nobel per la pace nel 2006. La pellicola, diretta dal regista Marco Amenta, è una coproduzione fra Italia (Eurofilm), Francia, Germania e India. La sceneggiatura è redatta da Massimo Gaudioso, Sergio Donati e Marco Amenta. Vi segnalo l'articolo Irrfan turns nobel laureate for next film, di Subhash K. Jha, pubblicato oggi da The Times of India: 'Apparently, the makers of the film zeroed in on Irrfan as the real-life hero of the downtrodden after they saw him play (...) in Mira Nair’s The Namesake. Irrfan confirmed the news and said, "I have been in talks for that film for a long time. I have already given my consent." However, he did not divulge any further details for contractual reasons. A friend of the actor said, "The challenge here is to recreate a living character of such distinguished achievement. Irrfan will meet Muhammad Yunus and spend as much time with him as possible. When he played Paan Singh Tomar, he relied on his imagination. But playing Prof. Yunus is a far bigger challenge since he is a much revered living personality. Irrfan will take a few months to get into the character".' Conoscete un modo migliore per rallegrare un piovoso lunedì?
Aggiornamento del 14 giugno 2012: ho contattato l'Eurofilm via email. Niccolò Stazzi conferma la notizia: 'Il film è in fase di pre-produzione. Il regista sarà Marco Amenta e gli sceneggiatori sono Massimo Gaudioso e Sergio Donati. Lo script ha vinto un premio al Tribeca Film Festival. Maggiori dettegli potrò darglieli tra circa un mese'.
Aggiornamento del 10 maggio 2022: purtroppo il progetto non si è concretizzato.

1 marzo 2012

Taslima Nasreen: Book banning helps fundamentalists

Oggi Hindustan Times pubblica alcune dichiarazioni rilasciate da Taslima Nasreen: Book banning helps fundamentalists. Di seguito un estratto:

'Robbed of a home and a peaceful life, Bangladeshi author Taslima Nasreen feels that religious fundamentalists apart, the responsibility for her sufferings lies on the "politicians of the Indian subcontinent" who have labelled her anti-Islam and banned her books. "When the government bans your book, then the fundamentalists are enthused. They feel inspired and take you as a soft target. They feel the government will side with them." (...) Taslima's comment comes less than a month after the Kolkata Book Fair authorities cancelled the release of the seventh volume of her autobiography "Nirbasan" (Exile) - which deals with her life after exile from Kolkata in 2007 - at the scheduled venue following protests by religious fundamentalists. (...) Protests against her book launch are nothing new for the author, a doctor by profession in the mid-1980s, who was forced to leave her country in 1994 after widespread agitation against the writing on women's rights and freedom, which a section of the people saw as an assault on Islam. "In India also the same thing happened. After the Left Front government in West Bengal banned my autobiography 'Dwikhandito' in 2004-05, the fundamentalists started issuing fatwas," she said. (...) Since 1994, Taslima had been living in exile in various parts of Europe and America and even got Swedish citizenship. The writer was later granted a renewable temporary residential permit by the Indian government and moved in 2004 to Kolkata, which she called her adopted home as it shares a common tradition and language with Bangladesh. But the author had to yet again face the ire of Muslim clerics and was finally forced to leave Kolkata after Muslim groups led widespread unrest across the city demanding her exile from the country. Faced with a riot-like situation, the then Left Front government called in the army but openly advocated her exile from the state. 
"Everybody is concerned about the feelings of fundamentalists; NOBODY is bothered about my feelings. I am not allowed to enter my own country for more than 18 years. I've been physically attacked. I have been thrown out of West Bengal. I was forced to live under house arrest and leave the country. My book launch has been banned. Nobody thinks about how I feel after all these atrocities." (...)

When asked whether she held that feminism is an outdated phenomenon in this twenty-first century as women are claiming equal rights as men, the 49-year-old author said: "Feminism has not really started in the subcontinent till now. So there is no question of it being outdated. In India incidents of female foeticide, rape, dowry deaths are rampant. Girls are denied the right of education in many parts of the country. Women are still treated as sex objects. So just by seeing a fraction of urban women outsmarting men, you can't say that feminism is outdated." In some cases, the condition of women in Bangladesh was better than their counterparts in India, Taslima said. While poverty and laws based on religion may be big issues in Bangladesh, incidents of dowry deaths and female foeticide hardly occur in that country. However, Taslima praised Indian democracy for being religiously more tolerant than Bangladesh and Pakistan. "That India has more religious tolerance has been shown in my case. I've at least been allowed to live here. If it would have been Bangladesh or Pakistan, I'd have been dead." (...) 
While asserting that uncertainty and fear of being killed and thrown out of a country are "disturbing elements" for a creative person, Nasreen said no radical fundamentalist can gag her creativity. "I also want a certain life, just like others. While I am writing an autobiography I have to write about everything - from my surroundings to the people around me. When I write about someone's misdeeds they protest against it. I am least bothered," Taslima added'.

Il banchiere dei poveri - Recensione

Recensione del libro Il banchiere dei poveri di Muhammad Yunus.