Chander Pahar, costosissimo film distribuito il 20 dicembre 2013, è, ad oggi, il campione d'incassi nella storia del cinema bengali. Al botteghino si è comportato dignitosamente anche al di fuori dei confini del Bengala occidentale: a Mumbai, ad esempio, pur subendo la concorrenza del blockbuster
Dhoom:3, CP si è difeso bene. La pellicola è diretta da Kamaleswar Mukherjee e interpretata dal giovane divo Dev. La sceneggiatura si basa sul famoso romanzo omonimo d'avventure del 1937 di Bibhutibhushan Bandyopadyay. Le riprese sono state effettuate quasi interamente in Sudafrica.
Trailer. Vi segnalo la
recensione firmata da Anjan Dutt, pubblicata da The Telegraph il 24 dicembre 2013:
'Sometimes films are produced for breaking new grounds. Temporary gains are unimportant. (...) Chander Pahar (...) I am certain will change the course of Bengali cinema in the next three years. The most expensive Bengali film till date (...) will inspire if not force the Bengali industry to be more dynamic in scale, thought, courage. And the actual returns of this film will be evaluated by the quality and success of films that will follow Chander Pahar in the next three years. (...) Kamaleswar Mukherjee will go down in history for braving the very difficult journey filled with risk but full of confidence. After a long time a Bengali film made me feel proud. (...) Almost 85 per cent of the film was spellbinding, gorgeous and filled with sheer good taste. (...) With Chander Pahar he [Kamaleswar Mukherjee] enters a different league where confidence and sheer hard work are evident in almost every frame. (...) I only wish editor Rabiranjan Maitra had done away with the frequent slow-mo and ramping, and resorted to just cutting, because they distract you from the pace of the narration. (...) Dev’s almost childlike fearlessness to conquer the unknown heightens the philosophy of the basic text. I was weary of the commercial star till the film started, but through the viewing was convinced that no one else could have played Shankar. (...) Dev combines sheer strength with utter vulnerability that works magic. (...) Dev’s entry into serious cinema succeeds superbly because he simply whacks the ball out of the field. Credit goes to Kamaleswar for using Dev’s vulnerability as his strength. (...) There have been many alterations of the original text, but most of them work immensely because the writer and director make it dramatic and believable. (...) There is so much inherent power in the visuals that a lesser elaborate and more haunting, minimalistic score perhaps would have been apt. (...) But the player who is literally responsible for the victory is (...) Soumik Halder. Here is a film from Bengal where almost 90 per cent of the cinematography is sheer brilliance. (...) Together with the production designer Nomonde Ngema, Soumik works out series of sequences where one does not need to hear anything but just keep watching. (...) To me it looks and feels far bigger than a 15crore project. Far glorious than many bigger budget Hindi adventures I have ever seen'. .
